Rare books, manuscripts, music, ephemera…

26th June 2019
Read more

14th May 2021
The following article was published in The Book Collector in Spring 2020, and is reproduced here to mark the fifth anniversary, this week, of setting up We Love Endpapers on Facebook (now with over 6000 members, and counting). I can be fairly precise in pinpointing the time and place when I first fell for a […]
Read more

15th January 2021
Workwise, this past year has really been a case of making it through. So it’s been really heartening to see another creation of mine, the Facebook group We Love Endpapers thrive. Set it up in May 2016, and the subject of an article in The Guardian a couple of years ago, it now has almost […]
Read more

5th June 2019
As readers of this blog and members of We Love Endpapers know, Simon is always on the lookout for new and unusual decorated papers. Recently, he came across a fantastic example of Italian block-printed endpapers on a little Armenian book…
Read more

20th March 2024
Orléans was a major eighteenth-century centre for the production of both block-printed papers (papiers dominotés) and popular prints (imagerie populaire), cut from wood, inked, printed, then stencilled by hand. Jean-Baptiste Letourmy (also Letourmi, 1747–1800), was both dominotier—‘un des très grands producteurs de papiers dominotés de son temps’ (Valérie Hubert, Les papiers dominotés, 2016, p. 34)—and […]
Read more

25th May 2022
Last week, We Love Endpapers, the Facebook group I set up (now with over 7000 members!), turned six. To celebrate, I decided to put together a short list featuring various types of historic decorated paper (marbled, sprinkled, bronze-varnish, brocade, block-printed, and paste). One particularly interesting type is Carta di Varese. Perhaps the most famous Italian […]
Read more