Rare books, manuscripts, music, ephemera…

11th October 2024
This is a copy of the first edition of Il parnaso veneziano (1796): a poem in praise of Venice and its poets by the Jesuit polymath Saverio Bettinelli (1718–1808), with a long essay ‘Della cultura della poesia presso li veneziani’ by Jacopo Morelli (1745–1819), the great librarian of St Mark’s. It is also a nice […]
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20th March 2024
Orléans was a major eighteenth-century centre for the production of both block-printed papers (papiers dominotés) and popular prints (imagerie populaire), cut from wood, inked, printed, then stencilled by hand. Jean-Baptiste Letourmy (also Letourmi, 1747–1800), was both dominotier—‘un des très grands producteurs de papiers dominotés de son temps’ (Valérie Hubert, Les papiers dominotés, 2016, p. 34)—and […]
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25th May 2022
Last week, We Love Endpapers, the Facebook group I set up (now with over 7000 members!), turned six. To celebrate, I decided to put together a short list featuring various types of historic decorated paper (marbled, sprinkled, bronze-varnish, brocade, block-printed, and paste). One particularly interesting type is Carta di Varese. Perhaps the most famous Italian […]
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29th July 2020
There’s always a danger in book history when you suggest you may have found the first instance of something, but I wonder: could this be the first blank bookplate, i.e. ones that are pre-printed with ‘This book belongs to …’ that you then fill in yourself with your name? These block-printed covers were produced in […]
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5th June 2019
As readers of this blog and members of We Love Endpapers know, Simon is always on the lookout for new and unusual decorated papers. Recently, he came across a fantastic example of Italian block-printed endpapers on a little Armenian book…
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